Sections
    PodcastNewsletterGear guides
    About
    Contact
    Advertise
    Terms
    Privacy
    Ethics Policy
    DMCA Takedown Notice
    No Film School
    • AI
    • Directing
      \e606
    • Screenwriting
      \e607
    • Cinematography & Cameras
      \e605
    • Documentary
      \e603
    • Editing & Post-Production
      \e602
    • Movies & TV
      \e60a
    • Producing
      \e608
    • Distribution & Marketing
      \e604
    • Festivals & Events
      \e611
    • Fundraising & Crowdfunding
      \e60f
    • Sound & Music
      \e601
    • Grants, Contests, & Awards
      \e60d
    • Film School
      \e610
    • Games & Transmedia
      \e60e
    • Jobs
      \e60c
    • Marketplace & Deals
      \e60b
    • Off Topic
      \e609
    • This Site
      \e600
    Producing

    Do You Need to Remove Company Logos from Your Film?

    Follow us on DiscoverSee Us First on Google
    Joe Marine
    Mar 16, 2015
    Follow us on DiscoverSee Us First on Google

    In another terrific Film Courage video, entertainment attorneys Michael C. Donaldson and Lisa A. Callif (who we have featured before) talk about rights clearances and how you can get away with all sorts of things as a filmmaker that you probably wouldn't expect:


    I think this is one of the misconceptions that gets passed around quite a bit, but you don't actually have to remove or blur logos (but faces are a different story entirely). The reason it's done so much in TV and film is that networks and studios want to make sure companies aren't getting free advertising. The other reason is that there might be competing advertisers who have actually paid for ad slots, but their products aren't featured in the show (so they probably wouldn't be happy if another company's products were featured for free).

    Generally if you are using a product or showing a place as it is commonly portrayed, and the logos are visible, you're on pretty good legal ground (for example, someone driving a Chevy car to a Chili's or drinking a Coke). Even if you aren't using the product in a manner as intended or not as it's commonly portrayed (someone is smoking weed out of that same Coke can), the law is more on your side than you think. Certain cases will be more grey than others, but filmmakers have far more rights than we are often led to believe. Here is Lisa Califf on that in our previous post:

    i) the place or product shot is portrayed in the manner it is commonly portrayed; and (ii) the audience is not led to believe that the brand or store is sponsoring or associated with your film.

    Nike_pixelated_shirt

    On the other hand, anyone can send cease and desists or try to sue you if they'd like, so just because you're allowed to do something, doesn't mean you won't have to do some fighting for it. The best way to avoid this scenario altogether is to not show or blur/remove logos (or use generic/made-up products). That doesn't mean you have to choose that route, but if you're going to be showing a company's products or a business in a very different way from how they're seen in normal, everyday life, it's probably not the worst idea to consult a lawyer — or worst case scenario just avoid the logos completely.

    It's also important to keep in mind that networks or studios may have their own policies regarding what they want shown, so if you don't even want to think about the possibility, removing it or not showing the logo could save you that hassle. 

    Attorneys Donaldson + Callif

    Source: Film Courage

    From Your Site Articles
    • Legal Mistakes Indie Filmmakers Should Avoid ›
    • What is Logos in Advertising? | No Film School ›
    • 'Swimming with Butterflies': From Passion Project to Big Brand Film | No Film School ›
    logofilmcourage
    Producing

    Popular

    'The Good, the Bad and the Ugly'
    ScreenwritingMovies & TVTopics

    Film Quote of the Day: The 'Good, the Bad and the Ugly' Line That Became Timeless Wisdom

    Jason Hellerman
    May 27, 2026
    How Clint Eastwood Redefined the Western With This 'Unforgiven' Line
    DirectingScreenwritingMovies & TVTopics

    Film Quote of the Day: How Clint Eastwood Redefined the Western With This 'Unforgiven' Line

    Jason Hellerman
    Jun 02, 2026
    Quote of the Day by Clint Eastwood
    DirectingTopics

    Clint Eastwood's Filmmaking Philosophy Offers a Powerful Lesson on Lifelong Motivation

    Jason Hellerman
    Jun 03, 2026
    Obsession
    Movies & TVEditorialHomepage Main FeaturedTopics

    'Obsession' Ending Explained: Who Got What They Wished For?

    Jason Hellerman
    Jun 05, 2026
    Film Quote of the Day: This Iconic Tom Hanks Line from 'A League of Their Own' Redefined America's Pastime
    Movies & TVTopics

    Film Quote of the Day: This Iconic Tom Hanks Line from 'A League of Their Own' Redefined America's Pastime

    Jason Hellerman
    May 29, 2026

    Latest

     Sony a7R VI
    Cinematography & CamerasEditorialHomepage Main FeaturedTopics

    Sony's Highly-Anticipated 8K Full-Frame Mirrorless a7R VI is Finally Shipping

    Jourdan Aldredge
    Jun 08, 2026
    Viltrox DC-550 PRO II 5.5" Touchscreen HD Monitor
    Cinematography & CamerasTopics

    Want More Touchscreen Monitor Options? Viltrox Has Another UHD 4K60p Model For You

    Jourdan Aldredge
    Jun 08, 2026
    Robert DeNiro and Al Pacino in ‘Heat’ (1995)
    Movies & TVScreenwritingTopics

    Film Quote of the Day: The ‘Heat’ Line That Hit Harder Than the Violence

    Eric Hardman
    Jun 07, 2026
    A closeup of Cillian Murphy as Jim at the beginning of 28 Days Later
    Movies & TVTopics

    The 1963 Sci-Fi Movie That Directly Inspired ‘28 Days Later’

    Brennan Klein
    Jun 07, 2026
    Raymond Burr as Lars Thorwald glaring at the camera in Rear Window
    Movies & TVTopics

    1954 Hitchcock Thriller Masterpiece Ranked Among the Greatest Films of All Time

    Brennan Klein
    Jun 07, 2026
    How to Write a Screenplay eBook
    Get our eBook "How to Write a Screenplay" FREE: