Does Jonathan Demme's Style of Close-Up Shots Make You Feel Uncomfortable, Too?

Jonathan Demme was a master of the close-up.

Composer Stephen Sondheim once said, "A close-up onscreen can say all a song can."

Whether you agree with that or not, you can't argue with the fact that the close-up shot and how to creatively use the camera angle is a huge factor in the success of any visual story. 

Directors and cinematographers have utilized it to draw viewers in, alerting them to what's about to unfold on screen and to capture the emotion of a character in a more grandiose way. Close-ups are intimate, unavoidable, and ubiquitous. They're used so often and so formulaically that we've come to expect them. We know when they're coming: two lovers embrace and the violins begin to play... and we're going to get a close-up of each of them, of course.

However, Jacob T. Swinney highlights one director that adds a little something special to his close-ups to make them more interesting: Jonathan Demme. In this video essay, Swinney collects a bunch of examples of Demme's close-ups and examines what makes them effective storytelling tools.

If you didn't catch it in the video, Demme's close-ups are set apart from other styles of close-ups for two reasons: 1. The subjects are centered in the frame, and 2. The subjects look directly into the camera.

Now, clearly Demme isn't the only filmmaker that has used this technique, but he has used it enough to make it a trademark move. Why does he choose to have his characters semi-break the fourth wall by looking into the camera? How does this kind of close-up affect the audience?

If your name happens to be Clarice, this scene must be unbearable for you.

Well, depending on what's happening in the scene—a declaration of love, a drill sergeant screaming orders, a prisoner explaining how he ate someone's liver with some fava beans and a nice chianti—you might feel a little more uncomfortable, threatened, and unnerved than usual, because the character is looking right at the camera. At you.      

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Your Comment


Nothing like being their with the character ha

August 23, 2015 at 11:59PM

Charles C.
Editor/ Director/ Director of Photography/ Wannabe Thinker

Stop looking at meeeee!!!

August 24, 2015 at 6:03AM


I agree. It really enchance communication with audience, making them feel more involved.

August 24, 2015 at 6:31AM

You voted '-1'.
Andy Tokarski
Director, Editor, Colorist

A center framed close up shot with subject looking directly into camera doesn't leave me feeling uncomfortable and creeped out... Anthony Hopkins does

August 24, 2015 at 1:52PM

Trenton Massey
Director of Photography/ DIT/ Camera Operator

I like it when it allows the viewer to see how a character is perceived by others in the story.

August 24, 2015 at 5:11PM

Steven Arredondo

Well I guess I wouldn't have thought they were uncomfortable if I hadn't read an article telling me they were.

August 26, 2015 at 6:37AM

Matt Nunn