Watch: Brilliant Camera and Lighting Techniques of PT Anderson's Oscar-Winning DP Robert Elswit

DP and frequent P.T. Anderson collaborator Robert Elswit is in a class of his own.

Robert Elswit's affinity for long takes, a moving camera, and anamorphic lenses give him a unique style that has made films like Boogie NightsThere Will Be Blood, and Nightcrawler so spectacular to watch. Sareesh Sudhakaran of wolfcrow delves into the techniques Elswit uses in his work, including camera movement, lighting, and more.

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Robert Elswit is an interesting artist because he has managed to master both the high-budget Hollywood action flick aesthetic and the low-budget darkly funny indie aesthetic. While the flashy and smooth look of, say, Salt or The Bourne Legacy excite audiences with stylish action, the colorful and moody look of Punch-Drunk Love and Inherent Vice take audiences away to a deep, dark place inside their own psyche.

'Salt' (2010)

One aesthetic is more physical, while the other is emotional and cerebral.

This shows how adaptable and versatile Eslwit is as a cinematographer, traits that all hopefuls should strive to achieve. After all, DPs are there to serve the director, trying to capture their vision as best they can with cameras and light. Clearly, Elswit is dialed into the creative vein of P.T. Anderson, seeing as how he has worked on every single one of his films since Hard Eight (minus The Master).

'Punch-Drunk Love' (2002)

So, if you take away only one lesson from this primer on Elswit's cinematography, maybe it should be that versatility and adaptability are two of the most important qualities of a DP—other than creativity, of course.     

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Excellent piece - and one of the finest, most hard-working and underrated DP's working today, Oscar win notwithstanding. Delivers sublime work in a variety of styles. A true master!

June 8, 2016 at 12:27PM

Oren Soffer
Director of Photography

I did BTS on Mission Impossible where Robert is the DP. He's extremely talented and focused. He's a real artist who cares and he's an excellent leader of his camera department and lighting and grip. He is an inspiration for a lot of us. He makes his crew strive to achieve the best they can do.

June 8, 2016 at 8:29PM

Ed David
Director of Photography

I only want to add that Robert Elswit is one of my favorite DP's ever.
A master and definitely underrated.
Thanks for putting a bit of the spotlight on him.

June 9, 2016 at 1:22PM

Richard Krall

Inherent Vice was gorgeously lit

June 13, 2016 at 7:38AM, Edited June 13, 7:38AM

Terma Louis
Photographer / Cinematographer / Editor