What ‘Bohemian Rhapsody’ Can Teach Us About Unmotivated Editing

Bohemian Rhapsody Editing
A master class in how not to edit from the unmotivated decisions in ‘Bohemian Rhapsody’.

Bohemian Rhapsody might just turn out to be one of the most polarizing films of the last decade when it's all said and done. To some, it was a great biopic character study of the late Queen lead singer Freddie Mercury with a phenomenal performance by Rami Malek (here’s a great side-by-side video comparison of the famous Live Aid concert scene against the original).

To others, Malek’s prosthetic teeth look-alike-ness will never be nearly enough to save an awkward piecemealed movie which is notable for having its director leave in mid production amidst a sexual harassment scandal.

Yet, Bohemian Rhapsody will remain in the annals of the Academy Awards where the film received four Oscars (Best Actor, Best Sound Editing, Best Sound Mixing and… Best Film Editing).

In this video essay, Youtuber Thomas Flight contests Bohemian Rhapsody’s legacy and breaks down how not only was the film undeserving of its editing award, but is actually a master class example of poor video editing overall.

Let’s take a look at some of the examples - as well as how to avoid the same unmotivated mistakes in projects of your own.

Bohemian Rhapsody’s “Bad” Editing

To be fair for the sake of Bohemian Rhapsody’s editor John Ottman, many of the problems which Flight outlines could very well be directly caused by a problematic production in which a director left and coverage for scenes was poor at best.

Yet, Flight makes several great points and insights into how both “over editing” and “unmotivated editing” can create muddled and messy scenes that leave audiences with confused and lost.

Flight focuses in on one scene in particular where the band meets with manager John Reid as a particularly bad example of the following concepts:

  1. Lack of Motivation
  2. Break Spatial Continuity
  3. Bad Pacing

For any video editor lost in the weeds on a project, the troubles with this scene feel familiar to those times when too many cooks might have their hands in the pot. It becomes apparent that the pacing is off and that shots seem to be dictated more by producers’ notes and screen time requests than actual storytelling needs.

It actually becomes quite interesting when Flight makes a few editing decisions of his own to clean up the scenes to eliminate unnecessary shots and unmotivated cuts.

If anything, the lessons are quite helpful for both projects of your own, as well as exemplifying of just how difficult video editing is at every level.     

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Your Comment


Couldn't agree more with the sentiment in general. I too found the editing to be jarring especially in the dialogue scenes. Flight also does a good job breaking down WHY it doesn't work. Found that helpful.

March 19, 2019 at 11:42AM, Edited March 19, 11:42AM

Dale Raphael Goldberg
Writer / Director

This is a really fascinating example of back seat driving.

I haven't seen the film, but I did look up Thomas Flight and John Ottman. That was pretty revealing. Additionally, while standards for editing certainly exist and ought to be taken seriously, the art of the edit evolves along with every other discipline in the beautiful world of film. Thinking back to the visual grammar of the early days of editing, through the 30s, 40s, 50s, 60s, etc., it's always moved forward. Some editors push the envelope now and then, and funny enough people actually like that. To hold an editor down to the norm restricts growth of the craft.

The editing from this scene to me did not feel confusing, or overedited. It felt alive, and I think that the vast majority of the viewership didn't notice those cuts or feel confused. Could it have been done differently? Sure, but then it probably wouldn't have won that Oscar, would it?

March 21, 2019 at 7:04AM


It just doesn't work. Every shot needs a purpose and every shot needs to further the story.

March 22, 2019 at 12:00PM

Marc Strong

Utter nonsense.

If you want to learn how to edit:

1) Watch this video and ignore every single frame of his advice.

2) Watch every frame that you can of John Ottman's editing and be as close as you can to the genius that he is.

March 29, 2019 at 12:08PM

Nicholas Lear
Film Editor

"both “over editing” and “unmotivated editing” can create muddled and messy scenes that leave audiences with confused and lost."

Or in the case of this article, No Editing.

April 24, 2019 at 5:18PM

Phil Spruner
Video Editor and Filmmaker