In this episode of the No Film School Podcast, host GG Hawkins speaks with director Charlie Tyrell and editors Davis Coombe and Daysha Broadway about The AI Doc: Or How I Became an Apocaloptimist.

The conversation explores how the team shaped an essay-driven documentary around AI, parenting, authorship, and uncertainty, while also breaking down the collaborative editorial process. They also touch on the ethics of making a film in real time about a rapidly changing subject, and the analog craft choices that gave the project its tactile visual identity.


In this episode, we discuss:

  • How The AI Doc: Or How I Became an Apocaloptimist uses a filmmaker’s journey into impending parenthood as a narrative device for exploring AI anxiety and optimism
  • Why the team chose an essay-documentary structure while still grounding the film in Daniel Roher’s on-camera perspective
  • The challenges of shaping a documentary whose subject kept changing during production as AI news evolved in real time
  • How Charlie Tyrell, Davis Coombe, and Daysha Broadway each found their way into filmmaking and documentary storytelling
  • The creative and ethical complications of having a co-director also function as a subject within the film
  • How the filmmakers balanced accessibility, complexity, and emotional honesty while making a movie about a massive technological shift
  • The editorial collaboration behind the film, including remote workflows, shared creative decision-making, and leaving ego at the door
  • Why the team intentionally avoided using AI in the film’s creative workflow
  • How Premiere Pro Productions, transcription tools, Blender, After Effects, Dragonframe, stop-motion builds, and practical effects supported the film’s handmade aesthetic
  • Where the guests currently land on the spectrum between AI optimism and AI anxiety as working filmmakers and editors
  • Why the guests believe the biggest question is not just what AI can do, but how people choose to use it

Guests:


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