5 Award-Winning Screenwriters Discuss How They Approach Their Craft
A few months ago, Justin posted a series of videos of 10 renowned directors offering their advice on filmmaking. While this list isn’t quite as extensive, today I present to you five award-winning screenwriters discussing their approach to the craft of screenwriting. You may want to get a snack or even a small meal because some of these videos are long, but all of them offer unique insights into how each of these writers (or writing teams) approach a story, and then break the story down into screenplay format. Hopefully, these videos will educate and inspire you as you work on your own screenwriting craft.
First, we start with Michael Arndt, Oscar winner for his original screenplay Little Miss Sunshine. Arndt also wrote Toy Story 3 (also Oscar-nominated), arguably taking Pixar’s original feature-length franchise to new heights, and the Interwebs seem to be atwitter about him continuing a saga from a long, long time ago in a galaxy in Marin County. In this clip, Arndt discusses how he writes the climax of a story, followed by the climactic sequence of Little Miss Sunshine. The video also includes a link to Arndt’s complete talk and Q&A, which is an hour long.
Next, we move to Lisa Cholodenko, Independent Spirit Award winner along with co-writer Stuart Blumberg for The Kids Are All Right. Cholodenko is also the writer/director of the films High Art and Laurel Canyon. In this clip, Cholodenko discusses the differences in approaching her work as a writer and then as a director.
David Seidler, Oscar winner for his original screenplay The King’s Speech, explains how his own stutter led him to learn about and look up to King George VI, eventually leading to the inspiration for his script. Of particular note, Seidler talks about how he manufactured the scenes between the king and his speech therapist, Lionel Logue, with a basis in fact from his research.
In the next video, Scott Neustadter and Michael H. Weber share the backstory and unique writing process for one of my favorite original screenplays in recent years, (500) Days of Summer – an Independent Spirit Award winner. Oh, and if you’re keeping track of the number of screenwriters in this post, I’m counting the team of Neustadter and Weber as one screenwriter to save you the time of correcting me in the Comments.
What lessons do you find to be the most valuable from these screenwriters when it comes to your own craft? Share with us in the Comments.
- Michael Arndt – Little Miss Sunshine discussion at Cody’s Books
- Lisa Cholodenko Masterclass Highlights – BFI London Film Festival
- David Seidler interview – The King’s Speech
- MakingOf – Script Analysis: Scott Neustadter and Michael H. Weber, (500) Days of Summer
- DP/30: The Social Network, Screenwriter Aaron Sorkin
- 'The hardest part is dealing with failure' - Academy Screenwriters Discuss Their Craft
- What is Foley? Award-Winning Foley Artist Gary Hecker Takes Us Inside The Craft
- Austin Film Festival Screenplay & Teleplay Competition Deadlines Approach