February 18, 2017

Which Filmmaking Books Should Be on Your Essential Reading List?

How many of these books on filmmaking have you read?

There are many ways to learn the craft of filmmaking, not the least of which is good, old-fashioned book reading. But sifting through the massive titles to find ones that are any good can be a challenge, which is why this video from filmmaker JP Caldeano of Cinematic J is so helpful. In it, he lists five fantastic and well-received books that are definitely worth reading if you want to up your cinematography, screenwriting, or directing game. Check it out below:

Here are the books Caldeano names in the video:

Let's just get this out of the way right now—Syd Field's Screenplay—some of you hate it, some of you love it. Suffice it to say that some people learn a lot from the book while others don't. Let's leave it at that. (Jeez...screenplay book drama.)

Okay, back to the good stuff. I've read (or at least leafed through) all of the books on the list and they are, in my opinion, very helpful and informative. But like any good cinephilic book lover who watched the video, I was inspired to look over my own library of filmmaking literature to find my personal favorites. So here's my short list:

  • Sight, Sound, Motion: Applied Media Aesthetics by Herbert Zettl: This is by far my favorite filmmaking book ever. If you want to learn about aesthetic theory and why audiences respond to different visual stimuli, read this thing cover to cover.
  • In the Blink of an Eye by Walter Murch: Murch is a master of his craft and In the Blink of an Eye is essentially a playbook on how the Oscar winner edits films.
  • Projected Fears by Kendall R. Phillips: This is one of the best books about the history of the horror genre I've ever read.
  • Sculpting in Time by Andrei Tarkovsky: Peer into the mind of the great Russian director.
  • Hitchcock by François Truffaut: Two cinematic legends, Alfred Hitchcock and François Truffaut, talk about filmmaking, the history of cinema, and more in over 50 hours of interviews.

Aside from books on filmmaking, I also have a healthy collection of screenplays and stageplays (I read Samuel Beckett religiously) that I read to understand different elements of story. Chinatown taught me good structure, The Royal Tenenbaums funny dialog, and American Beauty visual style. I just got my hands on North by Northwest a few days ago, so I can't wait to dig in and learn what the most suspenseful moments look like on the page.

What are some of your favorite book on filmmaking? Jot down your list in the comments below!     

Your Comment

22 Comments

your list is so much better than the basic barnes and noble bookshelf selection in the video.

i'd also recommend Yvette Biro's Turbulence and Flow in Film: The Rhythmic Design, Maya Deren's Essential Writings, and Richard Raskin's The Art of the Short Fiction Film.

February 18, 2017 at 4:13PM

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aron
154

A couple of my favorites are "Making Movies" by Sidney Lumet and "On Directing Film" by David Mamet. Thanks for the list!

February 18, 2017 at 4:29PM

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nice article

February 18, 2017 at 5:36PM, Edited February 18, 5:39PM

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I was honored this year to be acknowledged in Blain Brown's book (Cinematography: Theory and practice | Third Edition | 2017 ) for my contribution, help & support.
If you ever want to read this book then make sure to get your hands on the current edition of this book.

February 18, 2017 at 5:48PM

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Ammar Quteineh
Director|Cinematographer |||France|||
734

As a screenwriter I would recommend Becoming A Writer by Dorothea Brande for how writer's block occurs and how to get out of it, Stephen King On Writing for alleviating often intimidating misconceptions on what good writing really is, both The Seven Basic Plots: Why We Tell Stories by Christopher Booker and Into The Woods by John Yorke for teaching me not only why I write, but also why storytelling is necessary for the very survival of humankind.

As for filmmaking books, I haven't read any for a while, but my first book on the subject, was brought back from America by my Dad and was called The Filmmakers Handbook by Edward Pincus and Steven Asher. I read it over and over again before making my first 16mm short with a crew I trained purely from theoretical knowledge gained from the book. I would love to know if it still exists in an updated edition for a digital era?

February 18, 2017 at 7:21PM, Edited February 18, 7:21PM

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Derek Boyes
Writer/Director
100

For me, the most thorough and most helpful movie-making book I have read is THE VISUAL STORY, by Bruce Block. From the cover: "Understanding visual structure allows you to communicate moods and emotions, and most importantly, reveals the critical relationship between story structure and visual structure." The book helps one to see and understand the myriad visual choices that are available to every filmmaker, and provides bases for choosing which solutions will best help the filmmaker to achieve his or her story-making goals.
the filmmaker's effort.

February 18, 2017 at 8:09PM

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"On Filmmaking" by Alexander Mackendrick

Dramatic theory at its finest.

February 19, 2017 at 1:31AM

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"In the Blink of an Eye" by the great Walter Murch is the BEST editing theory book.

February 19, 2017 at 7:28AM

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Dylan Sunshine Saliba
Cinematographer
138

I have The Filmmaker's Eye, it's a great read. I would recommend The Art of Watching Movies, it goes over everything, from directing to editing, and I have just ordered The Filmmaker's Handbook.

February 19, 2017 at 1:12PM

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I haven't read too many filmmaking books, but some thoughts on a couple I have read:

Absolute gold, with practical takeaways:

Story - Robert McKee (changes the way I thought about structure)

Directing Actors - Judith Weston (changes the way I thought about directing performance)

Cinematic Storytelling - Jennifer Van Sijll (changes the way I thought about telling the story through visuals)

5 C's of Cinematography - Joseph V. Mascelli (fundamentals of composition)

Light: Science and Magic - Hunter, Fuqua, and Biver (essential guide on how to control light)

Back issues of DGA (rare insight into the honest thought process of some great talent. Also helps to understand what it's like to really work in the industry at all levels)

Some books which got me really excited at first but just didn't quite do it for me:

Painting with Light - John Alton

An actor prepares (or some other translation) - Stanislavski (caveat: I know there is something important in there... I just couldn't extract it and absorb it here. Weston's book took some of the concepts and made them more practical for me. ymmv)

Master Shots and various other books with diagrams and setups - I guess they'd work as a reference... but I dunno, I just didn't *get it* from there. The way I learn is more about understanding the motivation behind things rather than just a bunch of setups (e.g. why I loved "Cinematic Storytelling" but didn't really get much from "Master Shots")

Back issues of ICG, and some other industry magazines. (there were some real nuggets of gold in there, but the noise-to-signal ratio isn't what I'd expect it to be... it's a guilty pleasure though, especially reading the gear section - no matter if it's a year old, hehe)

February 20, 2017 at 4:25AM, Edited February 20, 4:25AM

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I highly recommend On Film Editing by Edward Dmytryk. Goes into theory but also thoughts on the industry and being a film editor.

February 20, 2017 at 5:55PM, Edited February 20, 5:55PM

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Ian Park
Documentary Editor / Director
330

I deal with a lot of sound, and I have found these 3 books to be invaluable:

Dialogue Editing For Motion Pictures - John Purcell

Practical Art Of Motion Picture Sound - David Yewdall

Sound Effects Bible - Ric Viers

February 21, 2017 at 8:22AM

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Kerrin McLean
Director / DP / Editor
208

For a production view of filmmaking, I have loved Producer to Producer by Maureen Ryan. She directs the Columbia University film program and produced films like Man On Wire. It's a detailed examination of all the moving parts of a production.

February 21, 2017 at 11:09AM, Edited February 21, 11:09AM

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In the Blink of an Eye by Walter Murch: This book is without a doubt witty and a dam good read... I put 'In the Blink on an Eye' as my top #1 for any editor or someone who wants to learn editing. Own it.

February 21, 2017 at 6:50PM

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Started reading the filmmaker's eye yesterday and the intro was comical re an invite/review of a film . . . look forward to the read.

Salud,

A.S.

February 22, 2017 at 1:40PM

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For those looking to get a job on big film sets I've found a new book titled Setlife: A Guide To Getting A Job in Film by Matthew Webb. It explains everything you need to know that maybe you weren't taught at film school. I bought mine off amazon. It also has some really cool interviews throughout.

February 25, 2017 at 12:00PM

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Directing: Film Techniques and Aesthetics 5th Edition by Michael Rabiger is the book that helped me to go through my first feature.

August 10, 2017 at 6:25AM, Edited August 10, 6:25AM

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francois yang
film director
4

Il Celestial peut retrouver ses racines en 2002, alors que les répliques de montres
http://www.montrespascherprix.eu Patek Philippe Sky Moon ont lancé le Ref. 5102. Cette montre était très pure et simple en apparence, avec seulement l'indication du temps, de la phase lunaire et de l'affichage astronomique. La nouvelle référence, le 6102P, partage tous ces éléments, sauf avec une indication supplémentaire située sur le côté extrême du cadran: la date. Et oui, ce nouveau cadran est superbe.

August 10, 2017 at 6:42AM

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VAN
95

I've never read any of these but I've been meaning to for a while now. The only one in that list i've heard of is Screenplay and probably Master Shots.

August 10, 2017 at 8:48PM, Edited August 10, 8:47PM

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Les montres suisses sont populaires depuis de nombreuses décennies et sont une obsession pour les hommes. La seule différence entre Swiss made répliques http://www.frpaschermontres.eu et montres et les originaux sont leurs prix. Lorsque vous vous familiarisez avec les prix des montres de luxe suisses, vous vous demanderez pourquoi les gens devraient payer en excès juste pour les noms de marque suisses glorieux. Il n'est pas nécessaire de trop payer maintenant - le luxe peut être absolument abordable et il ne nécessite pas des milliers de dollars de vos économies. Laissez-les pour passer à autre chose, cela importe vraiment! Nos répliques de montres rolex sont si parfaites que même un bijoutier ne peut pas les fausser. Nous avons pris nos montres http://www.repliquemontresbien.com clonés à de nombreux bijoutiers, et aucun d'entre eux ne les identifiait comme une réplique, une clone ou une fausse montre.

August 22, 2017 at 10:22AM

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VAN
95

Si quieres un reloj que sea un poco diferente que otros, definitivamente deberías probar una de las colecciones de Cartier http://www.replicasrelojesmarca.es Replica Watch. Cartier es un pionero en el estilo de la relojería, combinando con habilidad la audacia, la pasión y la elegancia. Cuando se trata de la funcionalidad de este tipo de réplica http://www.relojesreplicasspain.com de reloj, el reloj suizo realmente se destaca sobre los otros relojes ya que realmente funciona bien. La gente no necesita ajustar el reloj http://www.replicasderelojesprecio.com de vez en cuando porque al configurarlo a su tiempo exacto permite que el reloj funcione continuamente.

December 20, 2017 at 6:19AM, Edited December 20, 6:19AM

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VAN
95

I have 19 filmmaking books in my essential reading list;
https://filmmakersbucket.com/books.html

Thanks

July 28, 2018 at 5:16AM

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Bora
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