You're Not a DP Until You've Cut Your Own Material
DP John Brawley drops wisdom from years in the trenches—plus, insights into the development of Blackmagic Design.

In this episode, we talk about…
- John Brawley’s career journey and how he was able to keep moving forward toward his goal of being a cinematographer, even while going through rough patches.
- The various jobs Brawley did in the film industry in his early days and how they served as a sort of film school for him.
- How film work is a lifestyle and often doesn’t leave much time for a personal life.
- Why having to edit your own shots is vital to becoming a good cinematographer.
- The formal education programs Brawley went through.
- Brawley’s experience with Blackmagic cameras and how he’s known the founder for a long time.
- What went into Blackmagic cameras’ designs.
- The factors that come into play for Brawley when choosing a camera for a shoot and other decisions a cinematographer must make that may be even more important than camera type.
- Unique challenges that come up when working on a TV series.
Links to Resources:
- Blackmagic Week—learn more here!
- You can read about all this and more at nofilmschool.com.
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Please email us any questions at ask@nofilmschool.com!
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This episode of The No Film School Podcast was produced by George Edelman.











