Atomos Confirms 12-Bit RAW for Sony a7S III for September | No Film School

On the heels of Sony announcing its highly-anticipated a7S III, Atomos has confirmed its Ninja V recorder will be able to record 12-bit RAW images directly from the full-frame mirrorless camera.

The a7S III made waves earlier this week as Sony's latest 4K camera that packs-in larger photosites onto a 12.1MP Exmor R sensor. Though the camera cannot record RAW internally, Atomos has partnered with Sony to allow its 16-bit linear RAW output to be converted into a 12-bit RAW and recorded as Apple ProRes RAW on the Ninja V.

Atomos_as7iii_2

Resolutions and frame rates up to 4K 60p will be supported, and on top of that, you will be able to simultaneously record external RAW on the Ninja V and compressed video directly on the a7S III. The advantages of RAW workflows are well documented as it gives you access to all the image data from the sensor. It's ideal to use for finishing in HDR, reducing noise, recover scenes shot in low light, or even fine tuning Rec. 709. If your budget and workflow allows for it, give RAW shot, or at least a Log gamma curve if available on the camera.

Additoinally, because the a7S III has an output of 10-bit 4:2:2 on a full HDMI connector, the Ninja V, as well as other Atomos recorders, can record the signal in either ProRes or DNx codecs when RAW is unnecessary. It's important to point out, however, that the Ninja V will be the only Atomos recorder to record RAW. When asked if other Atomos recorders will receive RAW capabilities, like the Shogun, Atomos CEO Jeromy Young said it's in the pipeline but gave not exact details to win.

Filmmaker and Sony ambassador Philip Bloom did get his hands on an early version of the software and run it through its paces. Check out some of his exceptional handy work below.

The looming question when it comes to Atomos is when will it be available? Atomos has confirmed the software will arrive in September. So cross your fingers Sony shooters, RAW is on its way.

Sony a7s III Atomos Ninja 5

What's the Hype With 'Interstellar' Revisiting Cinemas After a Decade in 70mm IMAX?

Here's Why You Need to Revisit 'Interstellar' in 70mm IMAX

Celebrate the love and hope at the center of Nolan's space epic in the format it was meant to be seen.

If we know anything about Christopher Nolan, he likes to go big. Nolan started with smaller-scale stories (as many of us do) with early noir adjacent works like Following, Memento, and Insomnia, then started going and staying big with his illusionist drama The Prestige. Since then, the scale has been various degrees of massive, with the biggest scope in his time-and-space sprawling epic, Interstellar.

While Interstellarmight not be everyone's favorite Nolan outing, there's no denying it's an impressive feat of filmmaking and his most emotional—if watching Matthew McConaughey's Cooper desperately try to reach his family through quantum space-time doesn't make you cry at least a little bit, what's going on, dude?

With Interstellar'sIMAX release, it's a great time to shed some tears in a public setting in one of the most prestigious film formats around. As we mentioned in our film gauge piece, Nolan loves shooting on film and utilizes 65mm intentionally to provoke a tone of massive scale. In that regard, Interstellar was made for 70mm IMAX. That goes without saying, dawg. That being said, other factors make Interstellar a perfect movie to revisit in theaters while you can.

Let's break down the release further below.

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