Compression vs. Resolution: Optimizing A Cinematic Workflow on Adorama Live

An extensive look at compression with a RED workflow specialist, plus the "new face" for anamorphic lenses. 

RED Workflow specialist Dan Duran comes on Adorama Live to begin the talk on compression vs. resolution. We follow up with DP Kaity Williams on using large resolution creatively.

Kaity Williams Cinematographer

Wrapping up the show is a chat with Dan Kanes, CEO of Atlas Lens Co. about anamorphic lenses

Atlas Lens Co. Anamorphic

No Film School's complete coverage of NAB 2019 is brought to you by:

Blackmagic DesignRØDE, and Syrp.

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1 Comment

Gotta say, the constant compression artifacts and poor quality of the interview segments are very unfortunate, given the subject.

April 12, 2019 at 11:18AM

You voted '-1'.