The Shining stars Jack Nicholson and Shelley DuVall talk candidly on this vintage BBC clip about working with the demanding auteur, with DuVall spilling some considerable bittersweet tea.
For Stanley Kubrick fans, The Shining is the one movie on the director's CV whose troubled (and epic) production they can't get enough of. Now, fans of the auteur's take on Stephen King's terrifying novel can add this vintage behind-the-scenes clip from the BBC Archives to their queue.
On October 4, 1980, Kubrick's daughter, Vivian, was sent to the film's set to capture some truly fly-on-the-wall footage of her father and actors Jack Nicholson and Shelley Duvall at work. The four minutes worth of footage pack in a considerable amount of anecdotes about the film's production in real-time, as well as insights into both Kubrick and his stars' process -- especially on how the latter coped with the director's infamous predilection for being very exacting and less-than-actor-friendly on set. Watch below:
#OnThisDay 1980 : Arena handed Vivian Kubrick the directorial reins to go behind the scenes of The Shining, a film directed by her father, Stanley. Here are some interesting excerpts of that programme, showing life on set with some interviews. pic.twitter.com/kl8Bs4OWv3
#OnThisDay 1980 : Arena handed Vivian Kubrick the directorial reins to go behind the scenes of The Shining, a film directed by her father, Stanley. Here are some interesting excerpts of that programme, showing life on set with some interviews. pic.twitter.com/kl8Bs4OWv3— BBC Archive (@BBCArchive) October 4, 2019
What You Can Learn
Kubrick and Nicholson explain film scripts' color-coding process on set, and why each new draft has different colored pages. Nicholson also reveals, candidly, how that process wasn't one that ultimately serviced his own.
"I quit using my script," Nicholson says on the video, with his trademark snicker. "I just use the ones they type up each day." When asked if he was exaggerating about the daily rewrites that faced the embattled production, Nicholson dead pans "No."
The footage -- which should be included on the definitive Shining special edition Blu-ray whenever Warner Bros. makes it -- also provides insight into not only the director's reputation for being very "cold" and analytical, but also how his actors work with and cope ahead for that.
"There's pressure on almost every movie set, it's just that Stanley doesn't relate to it," Nicholson reveals. The Oscar-winner is seemingly accepting, without judgment, the irony of a director working in a medium driven by emotional storytelling can sometimes lack the empathy or mindfulness of how that could come off to the cast and crew charged with bringing that emotionality to life.
In our careers, we will bump up against filmmakers and crew, cast and execs, whose experience -- and how they process things -- differs from our own. We can see that as an attack and invalidation of our feelings and thoughts, which is normal -- on first blush. Or we can check the facts, remember that another's emotional experience and process is not -- and doesn't have to be -- the same as ours, and adopt a more curious and empathetic approach. The more we try to understand where someone is coming from, the faster and more effective we can be for ourselves and the process by taking a non-judgmental and personal stance. The more effective we can be at meeting the source of our perceived stress or conflict where they are. And getting ourselves, through acceptance and non-judgment, where we have to be. This applies to directors, actors, and crew. If your director is emotionally withdrawn or whatever Kubrick was, it's on him to do the work, too, to meet his cast and crew and halfway. It doesn't sound like Kubrick was mindful of that.
Duvall's working relationship with Kubrick was problematic, given how the director lacked the mindfulness discussed above to better accept and understand her process. But Duvall, even in this clip -- fresh from being in the thick of it with her director -- was able to come to a place of accepting his process and hers.
"I resented Stanley because he pushed me [on set]," Duvall says. "We had the same end in mind, we just sometimes differed in our means. I found that I really respect him, as a person and a director."