Introducing the D16M, the Digital Bolex Native Black & White s16 Digital Cinema Camera

The idea for native black & white digital cinema cameras is not a new one by any stretch of the imagination, and companies such as Ikonoskop with their A-Cam DII Panchromatic, and RED with the EPIC Monochrome have crafted black & white cameras. The concept is a simple one; a native black & white sensor has no need for the complex debayering process that color sensors must undertake in order to output a properly colored image. Because of this, native black & white sensors are capable of higher sensitivity, slightly higher latitude, and a more nuanced tonal range, which can make for some stunning black & white photography.
With all of that in mind, Joe and Elle, alongside the engineers at Ienso, have thrown a brand new Kodak Monochrome sensor into the D16 and removed the OLPF in order to create the D16M, a native black & white version of the D16 with some unique advantages over its older brother.
Here are the new tech specs on the camera:
- Kodak native monochrome sensor
- Same resolution options as D16: Super 16mm (2K), 16mm (HD), and Super 8 (720p)
- No OLPF filter to further maximize fine details
- ISO 100, 200, 400, 800
- 500GB Hard Drive
And here's the first footage released from the new camera:
Much like the original D16, the D16M is going to have a very specific niche within the filmmaking world. However, with black & white filmmaking enjoying a slight resurgence of sorts thanks to films like Nebraska and Frances Ha, cameras such as the EPIC-M and D16M certainly have place in the modern filmmaking landscape. For discerning cinematographers who cherish the nuanced tonality of native monochrome sensors, these cameras will be a definite hit.
What do you guys think of the Digital Bolex D16M? Let's hear your thoughts down in the comments!
Link: The D16M Native Monochrome -- Digital Bolex
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