In an era where digital filmmaking reigns supreme, the creators of Jurassic World: Rebirth have made a bold and inspiring choice: to shoot their entire project on film.

This decision is more than just a technical one; it's a heartfelt tribute to the magic of analog filmmaking and a testament to its enduring power in the age of CGI.

And an homage to the original movie, which still looks so good today.

The driving force behind this decision is director Gareth Edwards, who fought to use Kodak film and Panavision lenses. His motivation was simple: "All the films I grew up loving were shot on Kodak."

This desire to recapture the aesthetic of classic cinema is at the core of what makes this movie such a special endeavor.

Let's dive in.


Jurassic Park on Film 

The behind-the-scenes video for Jurassic World: Rebirth digs into the unique aesthetic qualities that film provides, from its color to its ability to handle contrast in a way that enhances reality.

As director of photography John Mathieson notes, "The greens of the jungles really come through" on film, a crucial detail for this movie.

The dailies and the shots and the editing all are elevated because they have such a strong foundation on film.

Visual effects supervisor David Vickery explains that starting with a "beautiful image" from film stock provides a superior canvas for adding digital creations.

The natural grain and texture of film, along with the characteristics of the anamorphic lenses, help to seamlessly blend the CGI creatures into the live-action footage, creating a more organic and believable world.

A Return to the Craft

The choice to use film also introduces an element of what the filmmakers call "mystery" into the production process. Unlike the immediate feedback of digital, with film, the final look of the footage isn't revealed until it's developed.

This adds a layer of anticipation and artistry to the craft of filmmaking.

Here's how they shot the movie and what they shot on:

  • Aspect ratio
    • 2.39 : 1
  • Camera
    • Panavision Panaflex Millennium XL2, Panavision E-, T-Series and Optica Elite Lenses
  • Negative Format
    • 35 mm(Kodak Vision3 50D 5203, Vision3 500T 5219)
  • Cinematographic Process
    • Digital Intermediate(4K, master format)
    • Panavision(anamorphic, source format)
  • Printed Film Format
    • 35 mm(Kodak Vision 2383)
    • D-Cinema
    • D-Cinema (also 3-D version)

Summing It All Up

Jurassic World: Rebirth is a powerful reminder that even in a world of high-tech digital workflows, the classic medium of film still holds a special place in the hearts of filmmakers and audiences alike.

It's a testament to the fact that the tools of the past can still be used to create the blockbusters of the future.

Let me know what you think in the comments.