In the DSLR Guide I originally wrote, "One could write an entire guide on choosing a DSLR, but that is a never-ending and ever-changing debate that I can’t resolve for anyone; each shooter’s DSLR choice comes down to availability, price point, and their own particular needs." While I still believe that, I've gotten a number of emails in the past few weeks asking questions to the extent of, "Canon 5D or 7D?" and "Canon T2i or Panasonic GH1?" This made me realize the guide jumps right into talking about buying lenses and support systems without offering an overview of the relative strengths and weaknesses of each DSLR when it comes to shooting movies. I hope this update answers these questions and forms a better starting point for the rest of the guide. ((As I was writing my own DSLR comparison, to my chagrin Philip Bloom came out with a similar post last week; feel free to check out his post, as we're answering the same questions.)) Choosing a DSLR »
Meet Your Pro Shooting Demands With Godox's Latest Cinematic-Grade Parallel Beam Lights
Max60/B60: Compact and Lightweight, Efficient Shooting
Featuring advanced optics and precision engineering, the Max60 and B60 are here to deliver a narrow beam angle and powerful, efficient parallel lighting. Compared with Beamlight Max90, the B60, and Max60 are lighter, weighing only 10 kg, making them lightweight enough for one person to carry and easy to set up.
Also, with tough protective housing and seamless integration with KNOWLED lights, including future models, they can enhance light control and efficient long-distance natural light replication. The B60 pairs with KNOWLED M600R and future Bowens-mount lights, while the Max60 is designed for G-mount fixtures, delivering focused, punchy beams on set.
DL5 Parallel Booster: Unlocking the Potential of the S60Bi/D
Now, this DL5 Parallel Booster is designed for use with the S60Bi/D Focusing LED Light, the DL5 Parallel Booster is set to increase center light intensity to deliver a concentrated and powerful output that elevates your lighting setup. Its 5° narrow beam ensures focused, high-intensity lighting, while the premium glass lens improves light efficiency and reduces light loss for higher output and more even light distribution. The honeycomb design reduces stray light, and the light shield ring prevents leakage.
Parallel light sources take LED lighting to the next level by boosting throw distance and brightness, making them useful in even more scenarios. When combined with the LiteFlow mirror system, they make the most of every beam, problem-solving for tackling high-elevation setups or working in tight spaces. It’s a game-changer that redefines what LED lights can do on set.
High-Power LED Lights + BeamLight Max90/60/B60 + LiteFlow System
Next, let’s look at the combination of high-power LED fixtures with BeamLight reflectors. The LiteFlow system offers an innovative solution for difficult setups. A single light positioned low can bounce its beam off a LiteFlow reflector to illuminate subjects even on the 30th floor—no need for cumbersome rigging. This setup not only simplifies logistics but also enhances on-set safety by reducing physical risks during high-elevation lighting installations.
SL60Bi/D + DL5 + LiteFlow System
Finally, for those in constrained shooting environments, this setup allows a single light source to be redirected several times to form multiple light points from just one fixture, minimizing the need for extra lights and modifiers. It empowers filmmakers to craft dynamic lighting designs even in the most limited spaces.
For more information, you can visit the Godox website here.
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