I feel so old typing this, but back in my day, success on the small screen meant TV. Now, I think it means the internet.

We're in the age of influencers. From seeing them invited to movie screenings and premieres for marketing to taking over roles on set, Hollywood is looking for new voices that have a built-in following.

These influencers and content creators might actually be the new ground floor for directing and writing gigs in Hollywood.

The next generation of auteurs isn't being discovered in classrooms; they’re being found by algorithms.

Let's dive in.


The Viral-to-Studio Pipeline

Okay, so let's dig into some facts. First, I'd love to highlight how places like Unwell, run by Alex Cooper, have become studios making their own content. Or how The Try Guys have expanded their shows, and Zach Kornfeld is making award-winning short films.

It feels like influencers have been dabbling in film and TV for a long time, with a lot of crossover being seen. I mean, when we made Shovel Buddies with Awesomeness TV, we cast these influencers in major roles because of the marketability of capturing their fans.

That trend is coming to fruition now. And you see places like A24 embracing influencers in front of and behind the camera.

For example...

  • The Philippou Brothers (RackaRacka): These YouTube veterans transitioned from high-octane stunt videos to Talk To Me, one of the most successful horror debuts in recent memory.
  • Kane Parsons (Kane Pixels): The teenager who turned The Backrooms creepypasta into a lo-fi CGI masterpiece is currently directing a feature film based on the lore—produced by James Wan and A24.
  • Curry Barker: His short Obsession proved he could command tension and tone with minimal resources—the exact "vibe" A24 looks for in its horror stable.

\u200bIron Lung Box Office 'Iron Lung' Credit: Markiplier Studios

The Markiplier Effect: A Distribution Disruption

If you want to see the "built-in audience" theory taken to its extreme, look no further than Mark "Markiplier" Fischbach.

He basically built his own studio and then scored a massive hit.

His debut feature, Iron Lung, which was an adaptation of David Szymanski’s claustrophobic indie game, hit theaters on January 30, 2026, and it didn't just perform; it shattered the traditional indie model.

Check out these numbers....

MetricDetails
Production ModelSelf-funded & Self-distributed
Reported Budget~$3 Million
Global Box Office$36 Million (as of Feb 2026)
Rotten Tomatoes59% Critics / 88% Audience

Markiplier’s success with Iron Lung is a wake-up call across the industry. If you see talented people on the internet, those talents might be transferable to the big screen. And if they have a massive following, those followers might buy tickets.

The film earned more on its opening day than many studio-backed horror films make in a weekend.

The Insight: Industry veterans like to rag on "influencer culture," but Iron Lung beat out studio films with ten times its budget. It’s not just "content"; it’s a viable, high-margin business model.

Why Studios Are Watching

I think every studio is tracking how influencers get their audiences to show up and deciding what that's worth to them.

And rather than be left out of the deal, studios are trying to cash in.

The film industry is currently obsessed with "IP" (Intellectual Property). Usually, that means buying the rights to a comic book. But places like A24 have realized that creators are their own IP.

They're selling themselves, and that might be an untapped audience worth a lot of cash.

These filmmakers know exactly what makes an audience click and what makes them share. By the time they get to a film set, they already have a PhD in audience engagement.

We'll keep you updated as we move into this area of development.

Let me know what you think about it all in the comments.